Photographers
Mostrando 13-24 de 28 artigos, teses e dissertações.
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13. Medida da qualidade de imagens de câmeras digitais usando entropia informacional. / Quality measurement of digital camera image using informational entropy.
This is an experimental work which uses the concept of informational entropy for digital image analysis. The researched literature shows that the informational entropy concept is used for image analysis, but the photographic equipment available in the market is not discussed. The aim of this work is to offer ,for photographers mainly, an experimental functio
Publicado em: 2007
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14. A fotografia contemporânea no Brasil : uma leitura da identidade étnico-racial brasileira em Eustáquio Neves. / Contemporary photograph in Brazil: readings on the brazilian ethnical-racial identities pictured on Eustáquio Neves.
The present work is a lecture on the photographic series Masks of Punishment (2003), Good Looking (2005) and Arturos (1994), of the Brazilian photographer Eustáquio Neves, born in Minas Gerais state, whose bodywork expresses itself under the contemporary concept of Expanded Photography, and so, make a statement on the African-brazilian people ethnical-racia
Publicado em: 2007
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15. O nu e o olhar : uma iconologia do nu feminino na fotografia brasileira / Nude and regard : an iconology of the feminine nude on Brazilian photography
The object of the research is constituted of twenty-four photographs selected among the photographic output of female nudes in Brazil, from the establishment of some criteria, such as the nationality of photographers and models, the support of publication and the rank of bareness, between others, with the objective of creating a grammar of the present signs
Publicado em: 2006
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16. Nude and regard : an iconology of the feminine nude on Brazilian photography / O nu e o olhar : uma iconologia do nu feminino na fotografia brasileira
The object of the research is constituted of twenty-four photographs selected among the photographic output of female nudes in Brazil, from the establishment of some criteria, such as the nationality of photographers and models, the support of publication and the rank of bareness, between others, with the objective of creating a grammar of the present signs
Publicado em: 2006
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17. "Uma câmera para o povo": o vídeo digital como meio de representação do cotidiano por presidiários do Carandiru
This work analyzes the consequences of the production of technical images for the knowledge of the daily life, understood as "life-world", concept developed by Schütz. Although Flusser considers that the technical images possess the potential totransform the knowledge (epistemology), as well as the models of behavior (ethics) and the experience (aesthetics)
Publicado em: 2006
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18. Fotojornalismo e a ficcionalidade no cotidiano / The fictionalizing of the quotidian on photojournalism
The purpose of the present study is to draw into a rare category of photojournalism - the literary image -which is able to offer the printed media evidences of new contemporary facts. The literary image unfolds itself beyond the traditional informative value of photojournalism. It blends the archaic journalistic categories - information, opinion, interpretat
Publicado em: 2006
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19. Photographic auto-representation in slum quarters: Olhares do Morro / A auto-representação fotográfica em favelas: Olhares do Morro
Photographs have taken an enormous importance in modern society. Usually, we register what we want to be viewed, but if we consider, for example, photographs of the population of the favelas, it is notice able that the most commonly presented image of the people, their environment and their daily life is not similar to the reality they perceive. They, thus,
Publicado em: 2006
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20. São Paulo women photographers / As retratistas de uma epoca : fotografas de São Paulo na primeira metade do seculo XX
This essays objective is analyze the photographic scene in the first half of 20th century in the city of São Paulo regarding the photographic production developed by the women, owners and conductors of theirs establishments. The opening of the work fits the pioneer Gioconda Rizzo, who opened its atelier in 1914, and continues analyzing the trajectory of
Publicado em: 2005
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21. Caminhando numa cidade de luz e de sombras. A fotografia moderna no Recife, dÃcada de 1950
Este trabalho, cuja documentaÃÃo elementar sÃo fotografias da ColeÃÃo Alexandre Berzin/Foto Cine Clube do Recife - da FundaÃÃo Joaquim Nabuco -, tem por motivaÃÃo compreender as especificidades da arte fotogrÃfica praticada nesta cidade, na dÃcada de cinqÃenta. SÃo fotografias que nÃo pretendem apenas registrar e reproduzir o que à dado, mas q
Publicado em: 2005
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22. Fotograpia expandida: dois exemplos brasileiros
This projeet represents a refleetion of expanded photography in the brazilian photography eontext. In this way we intend to present the trajeetory of the photography Ianguage passing by its original history and we go forward the modemist avant-gard movement specially Dada and Surrealism. Those movements are very important beeause of the ruptures essential fo
Publicado em: 2004
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23. Percursos do olhar na fotografia profissional e amadora : Campinas (1900-1915)
This text intends to review the approaches, exchanges and ruptures existing in the production of professional photographers, authors of reverential urban images arising from their utilization for printing postcards, documentation of public works and illustration of the city of Campinas 1900 Almachs, and of an amateur photographer, both photographers categori
Publicado em: 2003
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24. Fotografia, historia e indigenismo : a representação do real no SPI
This work search to discuss which the possibilities of the picture while historical document. It is understanding the photographic language as product of the relationships historical of the men with the middle and of the men with the men, the present work has as objective discusses the photographic language produced by the Service of Protection to the Indian
Publicado em: 2003