Lygia Clark : a obra é o seu ato dos Casulos ao Caminhado

AUTOR(ES)

Risonete Alves Pereira de Andrade

DATA DE PUBLICAÇÃO

2003

RESUMO

Considering the creative process as the central reason of the trajectory of Lygia Clark, this dissertation departs ftom a clipping ofher work - the sequence Casulos-Bichos Caminhando - and, through a relation ofher works ofthis period to others ofthe artist s phases, points and argues the main issues that follow its creative passage during a period of more than thirty years, since the paintings of the beginning of the 1950 s until Objetos relacionais, in the end ofthe1980 s. Operating displacements in the relation between artist, workmanship and spectator, and having as a propeller rhythm the linha orgânica, Clark s work is plenty of metaphors through which it searches to provoke in the participant subject the reactivation of his creative potential, substituting, gradually, the artistic product for the proper act to create

ASSUNTO(S)

criação artistica critica de arte metafora arte moderna - brasil

Documentos Relacionados

• Lygia Clark e Merleau-Ponty : paralelos
• Ato artístico e ato psicoterápico como Experiment-ação : diálogos entre a fenomenologia de Merleau-Ponty, a arte de Lygia Clark e a Gestalt-Terapia
• THE PLACE OF THE PARTICIPATING SPECTATOR IN LYGIA CLARK´S AND HÉLIO OITICICA´S WORK
• Entre o museu e a praça : o legado de Lygia Clark e Helio Oiticica
• Ensaio sobre o espaço e o sujeito: Lygia Clark e a psicanálise