Dramatic Creation
Mostrando 1-12 de 18 artigos, teses e dissertações.
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1. The expressive identity of the actor / Identidade expressiva do ator
This dissertation s central thesis claims that the actor, when in a scene, creates an Expressive Identity - a poetic condition of himself that is born in and out of the act of creation, unveiling an ontological dynamics of his work and a particular identity experience that lies under his artistic production. My argumentation intends to present a perspective
Publicado em: 2010
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2. HAMLET: RUPTURA DA LINEARIDADE DRMÁTICA E CORPOS EM REDE NA CENA DE ENRIQUE DIAZ. / Ensaio.Hamlet: ruptura da linearidade dramática e corpos em rede na cena de Enrique Diaz
The current study contributes to the analysis of the constructing process of the contemporaneous scene, by verifying the work by Enrique Diaz (director Cia. dos Atores), focusing on his work called Ensaio.Hamlet. This study also establishes considerations on new theatre/drama methods which do not agree with the conventional drama standard, by examining how c
Publicado em: 2009
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3. Quando a dança é o jogo e o intérprete é jogador: do corpo ao jogo, do jogo à cena.
This investigation has as its object creation in dance founded in elementary principles of gameplaying. I have taken as hypothesis the idea that the concept of game can be applied in the practice of scene creation not only as a resource in the generation of creative material (improvisation), but also incorporated as a driving mechanism and structural element
Publicado em: 2009
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4. Political Theater and Agrarian Question, 1955-1965 Contradictions, Advances and Impasses of a Decisive Moment / Teatro político e questão agrária, 1955-1965: contradições, avanços e impasses de um momento decisivo
The present work aims to take part in the critical current that distinguishes the aesthetical and political sense of the moments before and after the civil-military coup detat in 1964, standing out what was in contest in the process interrupted by tanks and showing the regressive difference of the later resistance action. This interpretation tradition has in
Publicado em: 2009
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5. A aurora do autor: como se fez e se faz a dramaturgia de Naum alves de Souza / A aurora do autor: como se fez e se faz a dramaturgia de Naum alves de Souza
This research has two different intentions: to observe how the dramatic authorial writing develops when building an analytic scenery of Naum Alves de Souzas dramatic art work, being him one of the most advantageous and exuberant professionals of contemporary Brazilian theatre. To reach that goal, the reading of his plays (performed or not) and other of the a
Publicado em: 2008
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6. AGAINST THE EXCESSES: LIMITS, BALANCE AND LOVE IN BOSSA NOVA / CONTRA OS EXCESSOS: CONTENÇÃO, EQUILÍBRIO E AMOR NA BOSSA NOVA
Against the excesses: limits, balance and love in bossa nova examines the sparingly aesthetics that marked a new movement in modern Brazilian music. Using the concepts of Nietzsche´s aesthetic philosophy, especially outlined in his first book, The Birth of Tragedy this study describes the creation process of bossa nova music as a constant struggle against t
Publicado em: 2008
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7. Do romance ao teatro : a teatralidade como recurso para a representação na obra de Sérgio Sant Anna : (dissertação em 1 prólogo, 4 atos e 1 epílogo)
Reading the Brazilian contemporary narrative, we might think the ground we are on is more and more slippery. The authors seek to express the troubles in writing throughout texts characterized by less linearity in contrast with tradition and by the mode they ironically play with the narrative elements. A path to understand such production is to discuss, durin
Publicado em: 2008
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8. Emile Jaques-Dalcroze : sobre a experiencia poetica da ritmica : uma exposição em 9 quadors inacabados / Emile Jaques-Dalcroze : about the poetic experience of eurhythmics : an exposition in 9 unfinished pictures
This work presents the concepts and practices of Eurhythmics (Rythmique) as conceived by the Swiss composer Émile Jaques-Dalcroze (1865-1950). It discusses the relation of Eurhythmics with modern dance and gymnastics in Europe and in the U.S. It also stablishes a comparison between the poetic experience of Eurhythmics and the German employ of rhythm and exp
Publicado em: 2008
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9. O show deve continuar: o gênero musical no cinema
Inside the industrial cinema, the musical genre had its potentialities concealed by the label of escapism, contributing to the alienation of the spectator. Since then, it has become necessary to rescue this dramatic modality, through analyses and studies of significant musicals productions, searching its importance to the development of the classical cinema
Publicado em: 2005
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10. A ação pedagógica do teatro
This study aimed to analyse the possibility of theater as pedagocical action, contributing to the improvement of public education, placing emphasis on the Iast four grades of Elementary School. Accentuating that the production of this drama activity needs the collective participation, the creation and ellaboration of ideas and new expressions, a coordinator
Publicado em: 2003
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11. François Delsarte : personagem de uma dança (re) descoberta
Francis Delsarte (1811-1871) is considered a legend in France, his home land, and also in the dramatic art universe. Known as "the gesture theorical" Delsarte has developed a major theory about human expression entitled "Applied Esthetic". Delsarte was a drama man, a music man. He also was a singer, a spoker, a philosopher who gathered within his smaB studio
Publicado em: 2002
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12. A presença do simbolo e do mito no mundo contemporaneo : representações no cinema
The author studies the presence of symbols and myths in the contemporary world deriving it ftom an analysis of movies dating ftom this period. The study begins with a review of fonnulations about symbolsand myths, following different authors along the time. He chooses Paul Ricouer s concept of symbol and a conception of myth as a dramatic unfolding of symbol
Publicado em: 2001