Set Cinema
Mostrando 13-24 de 24 artigos, teses e dissertações.
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13. O cinema audiovisual: um formato configurado na interação teatro/cinema e tv
The culture of the audiovisual has since 1980 been expanding as a circulating space for a set of old and new creative expressions. This movement promotes significant changes in the practices within the systems of signs and means, originating new formats whose compositions unveil the convergence of languages, regardless of the means which originate them and w
Publicado em: 2007
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14. Vereda da SalvaÃÃo e Terra para Rose: interfaces entre a escritura documental no teatro e no cinema
This study has set out to investigate the documental form of the drama text Vereda da SalvaÃÃo (1957-63) by Jorge Andrade and the film Terra para Rose (1987) by Tetà Moraes. The existing proximity between the aesthetics construction of both works allows the establishment of relation-ships between them, considering that, although they make part of distinct
Publicado em: 2007
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15. Dramas íntimos e dramas sociais: uma releitura dos papéis feminino e masculino no Cinema Novo / Dramas Íntimos e Dramas Sociais - uma releitura dos papéis feminino e masculino no Cinema Novo
This study examines representations of intimate dramas on the question of women facing the inequality of power, in relationship between the sexes, as well as images of the search for autonomy and sexual liberty in the films Os Cafajestes, A Falecida and O Desafio, which are part of the New Cinema, a cultural movement which arose in the 60s. Here, intimate dr
Publicado em: 2006
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16. Poesia e reflexividade na produção de três documentaristas brasileiros contemporâneos: Helena Solberg, Eduardo Coutinho e Walter Carvalho
This work objectived to set up a dialogue among the reflexions os three brazilian movie makers Helena Solberg, Eduardo Coutinho and Walter Carvalho concerning the creation process in documentary making; to identify what they have in common and in what they diverge so that it makes possible for us to understand what is a documentary nowadays, its tendencies a
Publicado em: 2006
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17. Articulações narrativas em Alfred Hitchcock
The objective of this research is to demonstrate that Hitchcock?s attention to confrontations, both in the treatment of themes and in the construction of characters, is present in different narrative structures that he developed, in this manner highlighted. The first chapter shows that characters are built so as to live the confrontation between guilt and in
Publicado em: 2006
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18. O vôo da borboleta: a obra cênica de José Agrippino de Paula e Maria Esther Stockler / O vôo da borboleta: a obra cênica de José Agrippino de Paula e Maria Esther Stockler
This work is the product of the study about the scenical work of José Agrippino de Paula and Maria Esther Stockler, which are: Tarzan IIIº Mundo O Mustang Hibernado (1968), O Planeta dos Mutantes (1969) and Rito do Amor Selvagem (1969). The proposition of this work is recovering those spectacles by using the existing records, as well as recovering the memo
Publicado em: 2006
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19. Pobres, Nômades e Incivilizáveis: Potência e criação de novos modos de vida
The wide variety of classification concepts used to characterize the poor has been accompanied by a rationale that admonishes them, idealizes them or execrates them. Beyond linking poverty to material and social destitution, its most apparent form of manifestation relates to a contemptible situation that is engendered by a moral universe where people are sta
Publicado em: 2006
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20. Ordinary Acts: Performance in Nonfiction Film, 1960-1967
This dissertation examines the role of individual performers in nonfiction films made in the United States between the years 1960 and 1967. It argues that the concept of performance is a vital component of nonfiction film discourse, one that helps define the relationship between the filmmaking process and the socio-historical world. As part of the world of l
Publicado em: 2005
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21. The coupe discourse in the documentaries from Jean Manzon to IPES (1962/1963) / O discurso golpista nos documentarios de Jean Manzon para o IPES (1962/1963)
In this text, we seek to study in documentary sponsored for the Instituto de Pesquisa e Estudos Sociais ? IPÊS. innumerable references to the historical moment and politician in which these sets of documents appear: the previous period to the Military Blow of March of 1964. These documentaries had been carried through by Jean Manzon and in such a way load c
Publicado em: 2005
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22. POSSIBILIDADES DE FIDELIZAÇÃO ÀS SALAS DE CINEMA DESCONSIDERANDO A ESCOLHA DO FILME / LOYALTY POSSIBILITY TO MOVIE THEATERS EXCLUDING FILM CHOICE
This study investigates possibilities to determine loyalty for movie theaters and how it is developed in context where film preferences are excluded. A survey was used to identify the influence of variables on consumers` evoked set and if or how these variables are associated with loyalty. Although findings show significant but low degrees of loyalty, they p
Publicado em: 2003
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23. O cinema e a flutuação das representações surdas : "Que drama se desenrola neste filme? Depende da perspectiva ..."
This study comprehends the fluctuation of discourses and representations in cinematographic texts and in deaf texts. Firstly I examine how the deaf otherness is narrated/produced/invented/left out and included in movies which focus on deafness and deaf people. Secondly I analyse how the film questionings happen in a group of university deaf students. The the
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2002
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24. Para uma arqueologia da ação tragica : a dramatização da tragico no teatro do tempo
This work investigates the concept of action in tragic drama, revising a tradition originated in Ancient Greece, birthplace of tragedy, a tradition which extends itself up to the middle of the twentieth century, when representatives of the so-called "post-modem" thought defy exactly the premises upon which this dramatic tradition was built up -rationality, s
Publicado em: 2002