Political Poetry
Mostrando 13-24 de 32 artigos, teses e dissertações.
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13. O cinema trágico-poético de Pier Paolo Pasolini: Appunti per unOrestiade africana, Édipo Rei, Medeia / The cinema tragic-poetic of Pier Paolo Pasolini: Appunti per unOrestiade africana, Oedipus Rex, Medeia
The objects of the present work are texts about Man: the tragic-poetic cinema of Pier Paolo Pasolini and the classical Greek tragedies. That cinema author dedicated much attention to tragic texts, in which he saw a political foundation: the overcoming, by reason, of mans archaic past, which caused his existential uncertainty. After having translated Aeschylu
Publicado em: 2009
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14. Rodolfo Walsh, o criptógrafo: relações entre escrita e ação política na obra de Rodolfo Walsh / Rudolf Walsh, the cryptographer: relationships between written and policy action in the work of Rudolf Walsh
The present work is a study of Rodolfo Jorge Walshs poetry. He was an author, a journalist and an activist. Also a translator, editor an author of police short stories. He knew how to transform the literary activity into an act of reflexion about the history of his country and the activist action itself. The writing procedures used inside his works searched
Publicado em: 2009
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15. Nem so de salario vivem as docentes de creche : em foco as lutas do Sindicato dos Trabalhadores no Serviço Publico Municipal de Campinas (STMC 1988-2001) / Daycare center female teachers survice not only by their wage : in focus the struggles of the Employees Trade Union in the Municipal Civil Service
The central objective of the present research is the analysis of how the daycare center teaching profession has been formed in the middle of cultural resistance movements, taking into account that the teaching concept, sometimes in focus, is much more than the developed work with the young boys and girls from zero to three years old. In other words, the comp
Publicado em: 2009
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16. Formas de traducción cultural en el itinerario de la poesía gauchesca
This article investigates modes of transemiotic translation in a special literary genre, the gauchesca poetry, whose origins kept clear interchanges with orality, which were disappearing and getting transformed throughout its history. In addition, the genre also varied from humorous or rather challenging beginnings towards a mainly complaintive tone, such as
Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas. Publicado em: 2008-04
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17. Flesh, image and and revolt in the poetry of Teofilo Dias / Carne, imagem e revolta na lirica de Teofilo Dias
The works of Teófilo Dias (1854 - 1889) are composed by four books: Lira dos Verdes Anos, Cantos Tropicais, Fanfarras and A Comédia dos Deuses. His poetry is considered by the critics as baudelairian, or parnassian, or symbolist. This investigation breaks with these conceptions of "literary schools" and others theorical reductions, and intends to understan
Publicado em: 2008
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18. A porta da saida : a poetica das canções de Torquato Neto / The exit way : the poetry of the Torquato Neto s songs
Our study bends over Torquato Neto s songs, prior to his participation at the Tropicalism, which has a similar profile of the activist song, of protest, in the middle of the 1960s, and during his involvement with the movement, turning them into a beginning of questioning the established critical discourses about his poetry. We try to establish a dialogue bet
Publicado em: 2008
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19. From local to global: the trajectory of Dionne Brand s political engagement
This study discusses the trajectory of Dionne Brand s poetry in its political engagement with the issues of diaspora, post-colonialism, the Multiculturalism Act in Canada, and struggles of visible minorities. The poet s political discourse is mainly analyzed in light of the intersections between race, class, gender and sexuality. The analysis shows that Bran
Publicado em: 2008
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20. ENTRE LETRA AMERICANA E ESPÍRITO EUROPEU: POESIA E POLÍTICA NO BRASIL COLONIAL (1750-1810) / BETWEEN SOUTH AMERICAN WRITING AND THE EUROPEAN SPIRIT: POETRY AND POLITICS IN COLONIAL BRAZIL (1750-1810)
The objective of this thesis is to point out the links between the political thought, developed under the influence of the Enlightenment philosophy, the colonial politics employed by the European metropolis and the literary patterns of Arcadism. The exchange of ideas brought about by the Enlightenment was welcomed by Brazilian scholars who started to acquire
Publicado em: 2008
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21. The eve of the trapeze artist (a reading of the poetry of Antônio Carlos de Brito) / A véspera do trapezista (leitura da poesia de Antônio Carlos Brito)
The aim of this dissertation is to understand the foundations of the poetry of Antônio Carlos de Brito. His work is situated mainly between 1967 and 1982, in the context of the military regime. The analysis is divided in four sections. First, we try to delineate the artistic behavior of the poet. The following section focuses on the books A palavra cerzida
Publicado em: 2008
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22. Mímesis e enthousiasmós: a poesia entre a República e o Íon
The purpose of this Thesis is to analyze Plato s Ion and passages of the Republic, taking into account their specific dramatic contexts and aiming at understanding the strategies used by Plato to criticize Homeric poetry and to show that one is justified in bringing these two dialogues together, in the sense that their conceptual assumptions are analogous. W
Publicado em: 2008
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23. O poema Vila Rica e a historiografia colonial / The epic poem Vila Ricaand the colonial historiography
This work offers a new approach to the epic poem Vila Rica, by Minas Geraisborn poet Cláudio Manoel da Costa (1729-1789). Written in 1773, it was not published during the life of the author who, disenchanted with the poor repercussion of his works in the Portuguese metropolis, did not consider it worth of publication, which would only occur posthumously in
Publicado em: 2008
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24. Desavenças: poesia, poder e melancolia nas obras do doutor Francisco de Sá de Miranda / Disagreement: poetry, power and melancholy in the doctors works Francisco de Sá de Miranda
This thesis aims at establishing historical links between two aspects of the trajectory of the sixteenth-century portuguese poet Francisco de Sá de Miranda (1486?-1558) that appear to be contradictory: innovation in poetry and retreat to the country. On the one hand, he was the man of letters and courtier that introduced in Portuguese poetry Italian poetica
Publicado em: 2007