Music And Globalization
Mostrando 1-8 de 8 artigos, teses e dissertações.
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1. O discurso da diversidade : a definição da diferença a partir da world music / The discourse of diversity : the definition of difference through world music
A valorização contemporânea da diversidade revela um mundo atento à diferença. De fato, se um dia lutávamos pelo direito de sermos iguais, hoje, paradoxalmente, também clamamos pelo reconhecimento de nossas diferenças. Nesse sentido, vozes que discursam sobre essas diferenças hoje precisam ser ouvidas e ressoam pelo mundo ao habitarem o espaço glob
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 04/04/2012
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2. Música brega: um fantasma visível (hibridação e exclusão na música brega em Aracaju)
In this work, we are going to discuss the universe of brega music in three sections. In the first, we discuss why is it so hard to precisely define brega music. In the second section, we try to demonstrate that although the difficulty in precisely defining the territory of brega music, this musical genre has markable attributes which are capable of legitimiz
Publicado em: 2010
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3. Programa Frutos da Terra: Um agente divulgador da cultura musical regional / Frutos da Terra Television Program: wich the program televises the regional cultural musical
This study is the result of observation of the television Fruit of the Earth, regional character, which is being produced in Goiania, twenty-five consecutive years. Achieving the overall goal of making a critical analysis and reflective linking the program and its regional proposal in the context of globalized society Goias, and the implications assigned to
Publicado em: 2009
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4. "Modernizei meu choro sem descuidar do roteiro tradicional" : tradição e inovação em K-ximbinho (Sebastião Barros)
This research aims to analyze and understand, alongside with the music produced by K-ximbinho, the contexts through which the composer was immersed, noticing key elements to his development, such as people with whom he lived and ones that influenced his musical training and professional performance. It also proposes a reflection on the notion of musical mean
Publicado em: 2009
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5. UMA VISÃO SEMIÓTICA DOS VALORES DA CULTURA CAIPIRA MANIFESTADOS NAS LETRAS DE MÚSICAS DE RAIZ MOGI DAS CRUZES 2007
This work deals with a semiotic inquiry about values of the caipira culture, present in the lyrics of root music. We analyzed texts of the Brazilian country literature, with nostalgia, sentimentalism, values and ideology, which, like in every speech produced in verbal communication, holds the cultural ideology to which they are from. Current globalization pr
Publicado em: 2009
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6. Discursos identitarios em torno da musica popular brasileira / Identity discourses about brazilian popular music
Brazilian music, throughout almost the whole XXth Century, had a direct relation to the national identity, in a moment in which the nation corresponded to a singular State and a singular People, while the relationship among these three elements and the rest of the world was articulated by the opposition internal/external. In a contemporary time, in which the
Publicado em: 2007
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7. Leia o livro, veja o filme, compre o disco : a produção cinematografica juvenil brasileira na decada de 1980 / Read the book, watch the movie, listen to the music : the teenpics production in the 1980. s
The production of teenpictures begins around 1955 as a product of the decline of classical Hollywood cinema and the rise of American teenager as an independent social agent. The Cultural Revolution represented by the power of youth and the juvenilization of the social life wasn?t an exclusivity of American society. Therefore, the teenpics constitute a global
Publicado em: 2005
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8. Do mangue para o mundo : o local e o global na produção e recepção da musica popular brasileira
The present study analyses local and global communication networks in contemporary world and their impact on the urban cultural dynamics in peripheral contexts, by means of a specific case study: the manguebeat movement or mangue scene, from Recife, Pernambuco, Brazil. The study takes as its starting point the hypothesis that processes of cultural globalizat
Publicado em: 2004