Guitar Study
Mostrando 1-12 de 23 artigos, teses e dissertações.
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1. Processos de ensino de violão em escolas livres de música: um estudo de caso das práticas pedagógicas de dois professores / Processes of teaching guitar in schools free music: a case study of teaching practices of two teachers
Este trabalho teve como meta representar os processos de ensino de violão de dois professores em duas escolas livres de música no município de Blumenau, estado de Santa Catarina. Procurou-se, também, investigar como esses professores avaliam a sua própria atuação pedagógica. A bibliografia utilizada esteve embasada em textos que abrangem educação m
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 12/03/2012
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2. Changes (1983) para violão de Elliott Carter : a construção de um plano de estudo a partir de um auto-relato
This work presents a self-report concerning the construction of the performance of Changes (1983) for guitar, by Elliot Carter, with a structural analysis and its relationship towards the difficulties encountered during its preparation. Well-known learning strategies were applied and new ones were created when necessary. A plan for the study of the rhythmic
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2012
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3. Leitura à primeira vista no violão : um estudo com alunos de graduação
Sight-reading a piece on the guitar is often considered a difficult task. One reason for this may be the fact that the same note on the guitar may be played in different ways, thus generating various fingering possibilities for the same passage. The present study investigated the procedures adopted by 11 undergraduate guitar students in a sight-reading exerc
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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4. Violão.org: saberes e processos de apreensão/transmissão da música no espaço virtual
Currently using specialized sites, people gather in virtual communities that occur on the Internet. Some examples of those virtual communities are forums, bulletins and chats. They have created special ways to work with information in texts, sound and images. In that perspective, what knowledge and processes of apprehension/transmission of music can be revea
Publicado em: 2011
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5. Explorando master-classes de violão em festivais de música: um estudo multi-casos sobre estratégias de ensino.
The present work studies master-classes in guitar. This musical instrument teaching format is defined and its particularities are delineated with the purpose of mapping the relation between the students performance and the teaching strategies adopted by the instructor-musician. The current study aspires to answer the following question: What are and how are
Publicado em: 2010
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6. Francisco Araujo : o uso do idiomatismo na composição de obras para violão solo / Francisco Araujo : the use of idiomatism in the composition for solo classical guitar works
This master s thesis has as main objective the study of the composer Francisco Araujo s classical guitar work. The text is divided into three parts. The first part consists of a small biography that seeks to contextualize the composer in the Brazilian musical scene, based on factors such as origin, musical background, career path and composicional work. The
Publicado em: 2009
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7. Terra dos passaros : an assessment of Toninho Horta s compositions in the album "Terra dos passaros" / Terra dos passaros : uma abordagem sobre as composições de Toninho Horta
Toninho Horta is a composer, acoustic guitar and electric guitar player and arranger born in Belo Horizonte, Brazil, in 1948. In the late 1960s, Horta became famous nationwide as an instrumentalist, accompanying Brazilian artists in concerts and recordings. His music was recorded by other artists. Horta became widely known as a member of "Clube da Esquina",
Publicado em: 2009
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8. Descoberta Automática de Conhecimento em Interpretações Musicais: Microandamento e Microdinâmica
The performance of a song in the exactly way it is written on the score tends to sound mechanical and artificial to any musician with a minimum experience. Among the variations made by a musician when interpreting a score, classified as musical expressivity, are: a) microtiming, micro time variations; b) microdynamics, small variations of the notes intensity
Publicado em: 2009
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9. Concerto para violão e pequena orquestra de H. Villa-Lobos: um estudo comparativo entre edições e manuscritos.
In this dissertation we did a comparative study between the three edited versions by Max Eschig and two manuscript versions of the Concerto for guitar and small orchestra by Heitor Villa-Lobos, focusing on the guitar parts. As a result, we found and pointed out several divergencies. From such findings we made comments, where we recommended possible solutions
Publicado em: 2009
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10. Choro: uma proposta de ensino da técnica violonística.
The main purpose on this work was to study the repertoire of Choro, in the musical genre conception, in the technical preparation of students enrolling in the graduation course in guitar, in the discipline Instrument I (MUS-200) of the School of Music in the Federal University of Bahia. To this end, it has developed an approach to the teaching of the guitar
Publicado em: 2009
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11. Othon Salleiro: um barrios brasileiro? Análise da linguagem instrumental do compositor-violonista. (1910 - 1999) / Othon Salleiro: um barrios brasileiro? Análise da linguagem instrumental do compositor-violonista. (1910 - 1999)
This study focuses on the work of guitarist Othon Salleiro (1910- 1999). The purpose of this study is to analyze, recover and provide context for the work produced by the composer from Rio de Janeiro within the scenario of Brazilian popular guitar music. By examining his work, transcribing available recordings and doing a comparative analysis of composer gui
Publicado em: 2008
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12. Fatores que influenciam o desenvolvimento musical de alunos da disciplina instrumento suplementar (violão).
Esta pesquisa compreende um estudo de caso cujo objetivo foi investigar como e porque os alunos das disciplinas Instrumento Suplementar (violão) se desenvolvem musicalmente. Para tanto, foram utilizados como instrumentos de coleta de dados: a consulta a fontes documentais, a observação direta dos alunos e a entrevista semi-estruturada com auxílio de film
Publicado em: 2008