Artistic History Of Dance
Mostrando 1-9 de 9 artigos, teses e dissertações.
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1. Uma perspectiva histórica sobre a constituição da dança em Goiânia / A historical perspective on the constitution of Dance in Goiânia (1940-1990)
This paper aims to establish the relationship between Dancing and History, trying to understand how this practice integrates with Goiânias cultural lifestyle. Starting from the apparent contradiction between an imported art and a culture closely tied to the regional universe of Midwestern, we tried to demonstrate how this activity flourished in the capital
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 30/03/2012
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2. Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) / Brief dances on the sidelines - the formation of an artistic history of dance in Goiânia (1982-1986)
A presente tese investigou possibilidades teórico-metodológicas para abarcar a especificidade do campo da arte a fim de constituir uma história artística da dança em Goiânia. Elegeu-se a matriz fundante corpo-dança que se configurou como lugar específico da produção desta história, a partir do cruzamento de conceitos referentes ao corpo, arte e da
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 10/11/2010
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3. Breves danças à margem - A constituição de uma história artística da dança em Goiânia (1982-1986) / Brief dances on the sidelines - the formation of an artistic history of dance in Goiânia (1982-1986)
This thesis investigated theoretical and methodological possibilities on the field of study of the Arts, in order to build a history of dance in the city of Goiânia. The body in dance was considered as the place in which this history happens, while different and interconnected concepts of the body, art and dance, and their historiographies, support this sta
Publicado em: 2010
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4. CONTRA-DANÇA: RITUAL E FESTA DE UM POVO / Counter-dance: Ritual and Feast of a people.
The subject of this dissertation is the counter-dance as cultural, religious and artistic manifestation in the Divines Feast, Pentecost, even in Pirenópolis as in Santa Cruz. The categories used to interpretate this social fact will be the concepts of tradition, memory and identity. The principal purpose is to study the counter-dance as fundamental element
Publicado em: 2009
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5. Técnica e(m) criação somática: uma proposta corporal para artistas cênicos com (d)eficiência física através dos princípios e fundamentos corporais Bartenieff.
The propose of this study is to formulate a methodological proposal of body training for dancers with physical disabilities based on experimentations with the Somatic Integration of the Bartenieff Fundamentals. Adding to the proposal the interest in developing experiences and discoveries relating to the body with physical disability, aiming to contribute in
Publicado em: 2009
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6. Estratégias poéticas em tempos de Ditadura: a experiência do grupo experimental de dança de Salvador - BA
The consolidation of the theatrical dance in Salvador (1956-1962) is associated with the formation of three representative groups: the Contemporary Dance of the Dance School of the University of Bahia, the folkloric dance of the Folkloric group Viva Bahia and the Classical Ballet of the Ballet School of Castro Alves Theater. During the period of dictatorship
Publicado em: 2008
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7. Deslocamentos Armoriais: da afirmaÃÃo Ãpica do popular na â NaÃÃo Castanhaâ de Ariano Suassuna ao corpohistÃria do Grupo Grial
The Armorial Movement has been having, starting from its officialization (1970) and even before it, the most varied aesthetic results in several artistic fields. However, the most significant set of theoretical formulations about it have always been under the responsability of its creator and main motivator, Ariano Suassuna. This writer has constructed up to
Publicado em: 2008
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8. O TRABALHO DOS BAILARINOS PROFISSIONAIS DE UMA COMPANHIA DE DANÇA CONTEMPORÂNEA uma perspectiva psicodinâmica
This is a descriptive-exploratory case study with the general aim of investigating the work context of professionals of a contemporary dance company in the state of Goias, based on the speech of the dancers. The specific objectives of the study are to: a) understand the work context of professional dancers of a contemporary dance company and collaborate with
Publicado em: 2008
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9. Uma abordagem morfológica do bailado Quadros Amazônicos do compositor Francisco Mignone.
In this work we intend to analyze the ballet Quadros Amazônicos by Francisco Mignone. The morphological aspect is the principal focus of this study and all the appreciations about harmony, melody and rhythm are used to emphasize the formal organization. In this approach we adopt the concept of Part (for macro structure) and Section (for micro structure) in
Publicado em: 2000