Notions of modern at Foto-Cine Clube Bandeirantes : photography in São Paulo : (1948-1951) / Noções de moderno no Foto-Cine Clube Bandeirante : fotografia em São Paulo : (1948-1951)
AUTOR(ES)
Vanessa Sobrino Lenzini
DATA DE PUBLICAÇÃO
2008
RESUMO
This study intends to present collected articles about photography published between 1948-1951 on the Foto-Cine Clube Bandeirante (FCCB) Bulletin, founded in 1939 in São Paulo. This articles bring up a debate about photography as al1 ,artistic representation inspired on pictorialistic parameters, which spread a way to ,update photography as an art formo With the collected articles, this study tried to balance the articles ideas, raising the notions that supported the concept of FCCB s photographic production as modern in the artistic and cultural circuit of São Paulo. This study intended to identify the disputes and intentions inhen(?t to ~ production which spreads itself as part of the moderno Most of the collected articles ~~e translated ITom international photographic associations magazines and became reference for photographic discussions at the Club and stated its cosmopolitan character
ASSUNTO(S)
artistic linguagem fotografica photographic interpretation photography fotografia - exposições fotografia artistica - historia - são paulo (sp) photography
ACESSO AO ARTIGO
http://libdigi.unicamp.br/document/?code=vtls000432453Documentos Relacionados
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