A elegia erotica romana e a tradição didascalica como matrizes compositivas da Ars amatoria de Ovidio

AUTOR(ES)

Matheus Trevisam

DATA DE PUBLICAÇÃO

2003

RESUMO

The aim of this work is to determine how Ovid has employed some poetical/ discursive elements originally found in Roman erotic elegy and in the Graeco-Roman didactic poetry for the composition of his Ars amatoria. As it is recognized, the poet has in a certain way mixed the elements of both poetical traditions mentioned, using them in order to produce a text (the Ars) marked by his own artistic options. Behaving like this, we must emphasize that he remained loyal to one of his most characteristic procedures as a writer who dialogues with the Classical tradition: this procedure is exact1y related to experimentation in the development of expressive forms which own much to past authors, but were renewed by the poet s ability. Simultaneously, we have translated the whole of the Latin text (as a prose work and with explanatory notes) of the Ars amatoria

ASSUNTO(S)

generos literarios poesia latina

Documentos Relacionados

• A elegia erotica romana e a tradição didascalica como matrizes compositivas da Ars amatoria de Ovidio
• The combination of genres in Ovids Erotic Elegy or elevating the Erotic
• Tradição crítica e crítica da tradição: as fortunas da ars histórica
• Philosophiae portus e arx philosophiae: apropriação e superação agostiniana da tradição filosófica Grego-Romana em relação à felicidade
• Tradição e renovações da identidade romana em Tito Lívio e Tácito