Theatrical Play
Mostrando 25-35 de 35 artigos, teses e dissertações.
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25. Health on play: theater to nursing formation / A saúde em cena: o teatro na formação do enfermeiro
Very fill studies focus the theater on college teaching, although the literature about this issue (theater) built the bases for this study. We made an option on this study for a qualitative research; the way used to do it was a Research Action which the objective was to analyze and understand the method used to produce an educative play (The Revolt of Vaccin
Publicado em: 2006
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26. THE INVENTION OF BISPO DO ROSARIO / A INVENÇÃO DE BISPO DO ROSARIO
A invenção de Bispo do Rosario, by potentializing possible senses of the word invention, evokes the creative act and the discovery, as operations of the author and the reader (receiver), simultaneously. By this way, Bispo do Rosario is seen as an inventor and as an object of invention. In the scope of the object of invention, are projected the adventure of
Publicado em: 2006
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27. Com os séculos nos olhos: teatro musical e expressão política no Brasil, 1964-1979
The practice of musical theater in Brazil began on the second half of the 19th century, particularly in the last two decades. A genre of irregular effectiveness, the musical has had its productive moments, followed by less abundant periods. One of its most fertile phases, in this country, was during the 1960s and 1970s. At that time, Brazilian theater was of
Publicado em: 2006
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28. Respiração encena: um olhar fonoaudiológico no teatro / Breathing inscene
The breathing way of each human being is revealing and the actor investigates vocal and corporal possibilities from the moment of rehearsals to theater play presentations Goal To describe from the Speech Therapy point of view an experience done with a couple of actors during the production of a play in which the main developed aspect was the breathing work i
Publicado em: 2005
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29. Creativitys investigation on the scenic plays. / A investigação da criatividade nos jogos cênicos.
The scenic plays in this research purposed to wake and to investigate the creative process and the creative scenic expressions and no creative . The vocable creativity derives of Latin creare that means to make new something, and of Greek krainem to realize. To create of the theatre can signify to invent, to express new and different corporal and verbal repe
Publicado em: 2005
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30. Corporeidade da voz : estudo da vocalidade poetica
This material springs from a practical investigative work on voice based on the principie of natural, intuitive sensorial knowledge of the body. The text explains the various investigative stages in the process of collecting and analysing both experiments and pedagogical theories on the actor s voice, in establishing guidelines on the issues of body awarenes
Publicado em: 2004
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31. Os contos e os vigarios : golpes, trapaças e mentalidades em São Paulo, 1930-1690
Resorting to the theoretical instruments ar Cultural History, this thesis focuses on the practices and representations linked to the social phenomenon known as "confidence game" (or "stellionate", in judicial terms). The phenomenon is studied from two basic standpoints. The first is that the schemes and plots typical of the phenomenon search support on the m
Publicado em: 2004
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32. Experimentações clownescas : os palhaços e a criação de possibilidades de vida
Starting from the participation as an "observer" of the personal clown initiation process conducted by LUME - Centre for Theatrical Research -UNICAMP - this research not only tackles historical aspects and trajectories of some contemporany clowns, but analyzes the politica1 role of the clown, powerful ally in the construction of life possibilities. Different
Publicado em: 2004
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33. O campo de visão : exercicio e linguagem cenica
Believing that Improvisation is the great expedient for the actor to expand and find a place where he can simultaneously engender and gush his creativity, this dissertation aims at the systemization of a theater improvisation exercise called "Campo de Visão". This systemization was created throughout the rehearsals of "A hora em que não sabíamos nada uns
Publicado em: 2003
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34. Angola Capoeira like actors training. / Capoeira Angola como treinamento para o ator.
The focus of this investigation rests on contemporary Angolan Capoeira practice in the city of Salvador, Bahia in terms of a corporeal agent acting out Capoeira play. The hypothesis herein presented is predicated on the assumption that Capoeira contains technical and symbolic facets that are useful for theatrical training. Thus, the technical and symbolic so
Publicado em: 2002
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35. No caminho do mito : um olhar sobre o processo de criação de Nonoberto Nonemorto - Grupo Andaime de Teatro Unimep
This research proposes to investigate the creative process followed by the Unimep theatrical group Andaime for the performance of Luís Alberto de Abreu s play Nonoberto Nonemorto. Director Francisco Medeiros brought his invaluable insight to the text and to his actors work. This author has participated as an actor in this and in three other plays which emco
Publicado em: 2002