ONE DAY AT A TIME: THE POLITICAL LIMITS OF THE DOMESTIC SITCOM

Abstract Most critics argue that the television comedy One Day at a Time (2017), produced in the United States, is a progressive show, mainly due to its cast, its attempt at faithfully representing an ethnic minority, and its courage in advancing relevant, sensitive topics. In order to qualify such assumptions, we will review the history of the sitcom formula, particularly the genre often defined as domestic comedies of the 1970s, and argue that its formal constraints impose unsurmountable limits on a progressive agenda. Finally, we proceed with an aesthetic analysis of the first season, which...