Study Violin
Mostrando 1-11 de 11 artigos, teses e dissertações.
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1. Eu amo violino! crianças de escola pública que estudam violino
Estudar violino, que a princípio parece algo muito longe das crianças na atualidade, principalmente crianças que estudam em escolas públicas, pode não ser algo tão distante do conhecimento deles como se pressente. O violino é o representante da orquestra e aparece de maneira pontual em várias ocasiões nos programas televisivos e nos concertos em par
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 27/10/2011
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2. Trio Marítimo de Almeida Prado : subsídios para interpretação / Trio Marítimo by Almeida Prado : subsidies for performance
The main objective of this dissertation is an analytical study of the structure and forms employed in the Trio Marítimo for violin, cello and piano by Almeida Prado. Based on this study and interviews with the composer, suggestions of interpretation are presented. These suggestions are based on the composer s compositional technique called Transtonalism, th
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 06/07/2011
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3. Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical
The present research, is a semi-experimental participant observation, presenting the processes of study in the Sonatas n1 and n4 I movement for Violin and Piano of Claudio Santoro, based on Performance Cues suggested on the research made by Dr. Roger Chaffin. It was necessary to identify and evaluate the strategies used in the violin and piano duo made by th
Publicado em: 2010
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4. Ao gosto de "IL foribondo" : um estudo das seis Sonates Pour le Violoncelle et Basse Continue de Francesco Geminiani segundo seus tratados e transcrições / The taste of "IL foribundo" : an analytical study of the six Sonates Pour le Violoncelle et Basse Continue de Francesco Geminiani, according to his treatises and transcriptions
Esta tese foi elaborada com o objetivo de proporcionar subsídios aos violoncelistas para a interpretação das seis Sonates Pour le Violoncelle et Basse Continue Op. V (1746), de Francesco Geminiani (1687-1762), no que concerne especificamente ao seu estilo. Para alcançar este objetivo, foram utilizados do mesmo autor A Treatise of the Good Taste in the Ar
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 27/02/2009
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5. Concerto n. 1 para Violino e Orquestra de M. Camargo Guarnieri: Aspectos Históricos, Estéticos e Temático-Motívicos.
The purpose of this research was to study the Concerto no. 1 for Violin and Orchestra by Camargo Guarnieri. One of its main goals was the search for elements of the Brazilian musical nationalism present in this work. Thus, in order to achieve this first goal, an analysis was done based on the Ensaio sobre a música brasileira by Mário de Andrade. Where the
Publicado em: 2009
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6. Zeitgestalt - análise e performance do trio em sol menor de Francisco Braga / Zeitgestalt Análysis and Performance of Trio in G minor by Francisco Braga
The present work extends the research presented for Masters concluded in 2002 at PUC-SP, on a method of analysis of Zeitgestalten towards musical performance. On that occasion it was carried out a study on the theoretical foundations of the method and the Zeitgestalten analysis of pieces for piano solo, based on the book Denken und spielen (Thinking and Play
Publicado em: 2009
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7. Muldisciplinary evaluation of patients with anterior encephalocele: analysis of cranial, brain, neuropsychological and language disorders / Avaliação multidisciplinar de pacientes com encefalocele anterior: análise das alterações cranianas, encefálicas, neuropsicológicas e de linguagem
Objective: To evaluate cranial and brain abnormalities in patients with anterior encephalocele and to analyze relevant aspects to their neuropsychological development, language and quality of live. Model: Transversal study in patients with anterior encephalocele, who underwent a multidisciplinary team assessment (craniofacial, socioeconomic, neuroradiologica
Publicado em: 2008
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8. A fiddle forgotten : Jose Eduardo Gramani and the revival of the Brazilian rabeca : postmodernism and performance practice / O violino violado : rabeca, hibridismo e desvio do metodo nas praticas interpretativas contemporaneas : tradição e inovação em Jose Eduardo Gramani
This study examines changes in ways of performing music that took place in the second half of the 20th century. As an example and reflection of these changes, it takes the opus of José Eduardo Gramani and his research on the Brazilian rabeca and the context of "historically informed performance" (HIP). My point of reference is Adorno s essay Bach Defended a
Publicado em: 2008
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9. Musictherapy as a coadjuvant treatment of Parkinson Disease / A musicoterapia como tratamento coadjuvante à Doença de Parkinson
This study is a result of a research in the qualitative approach, in the Gerontology and Musictherapy scenario. It was analyzed the importance of alternative practices like playing an instrument, singing, or practicing a guided musical exercise as a therapy activity for old people with Parkinson Disease. The data collection was based on questionnaires, with
Publicado em: 2006
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10. The guitar in the age of recording: performance and misreading in the art of Julian Bream / O violão na era do disco: interpretação e desleitura na arte de Julian Bream
This thesis shows how the classical guitar canon is a phenomenon of the twentieth century in contrast, for example, with the piano, violin and orchestral repertoires, whose canons had been formed step by step since the end of the eighteenth century and dependent as such on the criteria fixed by its interpreters through the medium of sound recording. The proj
Publicado em: 2006
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11. Transient entrapment neuropathy of the posterior interosseous nerve in violin players.
Eleven white male right handed violin players complained of transient muscular deficit of the extensor compartment of the left forearm during and after prolonged playing. This was associated with paraesthesiae and pain. Relief was achieved keeping the wrist and the elbow flexed, with the supinated forearm held by the contralateral hand. An anatomical study s