Horror Films
Mostrando 1-6 de 6 artigos, teses e dissertações.
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1. O sound design de Alan Splet para David Lynch sob a perspectiva do horror fílmico
Resumo O sound designer americano Alan Splet (1939-1994) participou da produção de 25 filmes. Com o diretor David Lynch, criou efeitos sonoros e ambiências mais livres de vínculos com a verossimilhança. Eles trabalharam juntos no curta-metragem The grandmother (1970) e nos longas-metragens Eraserhead (1977), O homem elefante (The elephant man, 1980), Du
Galáxia (São Paulo). Publicado em: 07/11/2019
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2. Indústria cultural, repetição e totalização na trilogia Pânico / Culture industry, repetition and totalization in the Scream trilogy
Throughout last century, the culture industry s modus operandi was responsible for a standardizing movement in cultural artifacts, constituting a tensional axis between repetition and innovation that embraces all arts, but mainly in film, having the latter a greater need for returns in its production investments. That way, regarding the American cinema as th
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 27/09/2011
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3. Legendagem comercial e lengendagem pirata: um estudo comparado
This thesis reports on a study carried out within the field of Translation Studies, more specifically, Audiovisual Translation Studies, analyzing a corpus comprised of fragments extracted from ten different horror films produced in the current decade in English, with both commercial and fan-made subtitles (fansubs or fantitles) in Portuguese, drawing on cate
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 10/12/2009
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4. Medo de que? : uma historia do horror nos filmes brasileiros / A history of horror in the brazilian movies
This thesis examines the manifestations of the horror genre in Brazilian movies made between 1937 and 2007, under a historical outlook, since the first cinematographic registries of this genre, to the later ones. The theoretical approach of this work starts from genre cinematographic studies, passes over cinema?s history and Brazilian cinema?s history, looki
Publicado em: 2008
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5. An imagined extreme orient: orientalisms in western cinema / O extremo Oriente imaginado: uma introdução ao estudo dos orientalismos no cinema ocidental
With a curatorship of images, the dissertation studies the representations of the Far East in western cinema, focusing in the examples of the following films: Tokyo-Ga, from Wim Wenders (1985), The Pillow Book, from Peter Greenaway (1994) and Kill Bill, Chapter 1 &2 from Quentin Tarantino (2003/2004). Western cinema created image-representations of the Far E
Publicado em: 2006
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6. BLOOD, GUTS, CHARACTERS AND MOVIE A GLANCE AT JOSÉ MOJICA MARINS TERROR / SANGUE, TRIPAS, LETRAS E PELÍCULA UM OLHAR SOBRE O TERROR EM JOSÉ MOJICA MARINS
This dissertation reads the horror in the film maker`s José Mojica Marins work. The unstable condition and the uncommon career of this dammed film maker in the history of the Brazilian movie industry passes as a compulsory evanescence logic, where the director was forced to explore new fields: text, television, radio and, more recently, the Internet, in ord
Publicado em: 2003