Cinematographic Image
Mostrando 1-12 de 19 artigos, teses e dissertações.
-
1. Deleuze e a imagem: um problema estético
Resumo: Este artigo busca investigar possíveis significações da palavra “imagem”, que se depreendam dos textos de Deleuze sobre as artes, através de uma pesquisa filológica que respeita a cronologia de suas obras. Essa noção de imagem, fundamental para a Estética, aparece em seus comentários sobre Proust, o cinema, Bacon e Beckett, principalment
Trans/Form/Ação. Publicado em: 07/10/2019
-
2. Formando una “Escuela de Campeones”. Deporte, moralidad, pedagogía y estética Peronista
RESUMO “Escuela de Campeones”, um filme argentino dirigido por Ralph Pappier e lançado no final de 1950, baseia seu argumento na história de um fato histórico: as dificuldades experimentadas por aqueles que queriam incorporar o esporte como conteúdo pedagógico. Focada na vida do escocês Alejandro Watson Hutton, o filme mostra as vicissitudes deste
Educ. rev.. Publicado em: 02/05/2019
-
3. A influência do Grupo Dziga Vertov no cinema de Jean-Luc Godard / The influence of Group Dziga Vertov in the cinema of Jean-Luc Godard
O trabalho investiga a transformação estética no cinema de Jean-Luc Godard, analisando antes, durante e pós o grupo Dziga Vertov, encabeçado por Jean-Luc Godard e estudantes maoístas. A mudança estética de Godard é notada por muitos, contudo há escassez de estudos detalhados sobre a influência dos anos do Grupo Dziga Vertov. Portanto, este trabalh
Publicado em: 2010
-
4. Do registro ao documentário: uma tradução verbo-visual-sonora na Amazônia
This research has proposed an analysis of the creation and the recreation process in the verb-sonorous work Tuyabaé Cuaá (The knowledge of the Ancient Pajés), whose author is the composer and writer Walter Freitas, born in Pará, Brazil a work which reverberates the Amazon culture and the authors fundamental knowledge of it. Its objective was to observe t
Publicado em: 2009
-
5. Luminosamente claustrofÃbicas: ambigÃidades cinematogrÃficas em Caio Fernando Abreu
Part of a generation for whom nothing seemed to matter after the sixtiesâ revolution and the contracultural desbunde of the eighties, the writer Caio Fernando Abreu is considered by national literary critics a spokesperson of his time, devoted to the definition of âgestures, conversations that, in pieces, started to trace a panel of the history of a genera
Publicado em: 2008
-
6. Errância e construção do espaço no cinema moderno Uma leitura da obra de Roberto Rossellini
This dissertation examines the construction of the cinematographic space in the work of Roberto Rossellini and the role of the wandering of the characters in the communication system of films. With basis on the considerations of Gilles Deleuze in Cinema I Movement-Image and Cinema II The Time-Image, we shall analyse the manner by which the perambulation and
Publicado em: 2007
-
7. A crônica visual de Michelangelo Antonioni / The visual chronic of Michelangelo Antonioni
This study attempts to understand the inversion of what Antonioni makes in the relation between image and text in the cinema. The fiction is no longer enough to approach politically the contemporaneous world. Only the image polissemic is able to create a sort of "disembroil" that does not let to reduce to just one sense, and for consequence lightens another
Publicado em: 2007
-
8. Vulnerabilidade de películas cinematográficas: Manuseio, conservação, digitalização (desenvolvimento de CD-ROM)
A new option to preserve and publish collections in various kinds of themes and proportions came from the new technologies and the conversion from analog information to digital information. The project "Vulnerability of Cinematographic Films Handling, Conservation and Digitization has as subject the cinematographic film, physical and chemistry substrate for
Publicado em: 2007
-
9. A técnica do filme São Jerônimo, de Júlio Bressane, segundo um desenho do tempo
This paper aims to study the compositional technique of cinema, researching the technique of creation of the movie São Jerônimo, by Júlio Bressane, based in the design of the time. São Jerônimo was constructed from a series of documents, readings, paintings, thesis that traverse between fascination for iconography linked to the saint and the immanence o
Publicado em: 2007
-
10. Mrs. Dalloway and the rewriting of Virginia Woolf in literature and cinema. / Mrs. Dalloway e a reescritura de Virginia Woolf na literatura e no cinema.
This dissertation investigates the rewriting of Virginia Woolfs literary universe to literature and to film, through the analysis of the rewritings of the novel Mrs. Dalloway (1925): the film Mrs. Dalloway (1998), directed by Marleen Gorris, the novel The Hours (1998), by Michael Cunningham, and the film The Hours (2002), directed by Stephen Daldry. Our hypo
Publicado em: 2007
-
11. Tradução e ideologia: uma análise da adaptação de Le silence de la mer e Ce jour-là para a televisão / Translation and ideology: an analysis of the adaptation of Le silence de la mer and Ce jour-là for television
Le silence de la mer is a TV movie made in celebration of the Second World War 60Th Anniversary. The movie was adapted from the short-stories Le silence de la mer and Ce jour-là by Vercors, who wrote clandestinely during the Nazi occupation in France. The strategies applied by the production team during the translation process allow the construction of ideo
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 26/08/2006
-
12. Cinema e poesia: uma relação intersemiótica em Akira Kurosawa
This work proposes a reflexion about the intersemiotic translation between cinema and the poetic language as from an analysis of the film Dreams (Japan, 1990), by the Japanese director Akira Kurosawa under an esthetic and semiotic perspective. Such approach takes, as its basic assumption, the reflection of the presence of poetic elements in the construction
Publicado em: 2006