Brazilian Composers
Mostrando 1-12 de 44 artigos, teses e dissertações.
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1. Babi de Oliveira: recortes da vida, da obra e catalogação de suas composições para canto e piano
Brazil is a country known for its cultural diversity, vastness and regional differences, specifically its music. Thus, preserving our heritage becomes a priority so as not to neglect our heritage. Given the variety of Brazilian composers research is fundamental to evaluate and maintain the musical heritage of our country. The research will focus on analyzing
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 22/08/2012
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2. Festspielmusik de Ronaldo Miranda para dois pianos e percussão: uma abordagem interpretativa / Festspielmusik of Ronaldo Miranda for two pianos and percussion: an interpretative approach
This dissertation discusses the work Festspielmusik (2003) for two pianos and percussion written by Brazilian composers Ronaldo Miranda (1948). A historical contextualization provided the information pertinent survey of Ronaldo Mirandas trajectories vital and compositional. The article discusses the analogy between the mechanism of the piano (struck string i
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 13/04/2012
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3. Instrumentation and orchestration in nationalism: a study of four representative works of the brasilian symphonic repertoire / Orquestração e instrumentação no nacionalismo: Um estudo de quatro obras representativas do repertório sinfônico brasileiro
This research analyzes the orchestration and instrumentation of four pieces that appear within the nationalist school of Brazil, looking for its external influences, creative processes, similarities, differences and particularities. The four works are: Série Brasileira (1888-1896) by Alberto Nepomuceno (1864-1920), Choros n10 (1926) by Heitor Villa-Lobos (1
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 25/03/2011
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4. Música Contemporânea em Minas Gerais: os Encontros de Compositores Latino-americanos de Belo Horizonte (1986-2002)
The aim of this work is to understand the historic process which achieved the construction of the Latin American contemporary music movement in Belo Horizonte, more specifically, the Latin American Composers Gatherings of Belo Horizonte, held in the years 1986-1988-1992-2002 sponsored by the Fundação de Educação Artística. It was also possible to get kn
Publicado em: 2010
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5. Música inclusiva: estratégias composicionais conectadas ao uso do público, em obras musicais de Ernst Widmer, Luiz Carlos Lessa Vinholes e Gilberto Mendes.
The aim of this study is to investigate, conceptualize, and put into context inclusive compositional strategies, related to the use of the audience, in the musical works Rumos Op. 72 of Ernst Widmer, Instrução 61 and Instrução 62 of Luiz Carlos Lessa Vinholes, and Santos Football Music of Gilberto Mendes. Through this analytical approach it is also inten
Publicado em: 2010
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6. O samba-enredo em Florianópolis: perspectivas históricas e a produção de sambas-enredo entre membros da Protegidos da Princesa
Several decades ago the musical genre samba-enredo became popular and was spread through most of the Brazilian territory. The purpose of this dissertation is to reveal the way by which the samba-enredo is transposed to the reality of the world of the samba in Florianópolis, identifying particular procedures involved in its production and analyzing the histo
Publicado em: 2010
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7. O cravo na música de Câmera contemporânea brasileira / The harpsichord in Brasilian contemporany chamber music
Este trabalho discute a presença do cravo na música contemporânea brasileira, com enfoque em música de câmera. Após uma breve contextualização do cravo na música de câmera brasileira, o trabalho se desenvolve em cinco partes principais, a saber: parte 1 - apresenta um histórico do cravo desde suas origens, no monocórdio de Pitágoras, até os mod
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 30/03/2009
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8. Brazilian orchestral percussion: editorial and interpretative problems / Percussão orquestral brasileira: problemas editoriais e interpretativos
The objective of this dissertation is to help solve some of the interpretation problems which arise in the percussion parts of Brazilian symphonic music. Rich in timbre and rhythm, these parts may cause doubts which stem from the nomenclature of the instruments as well as editorial or technical issues. A number of works by different composers were selected t
Publicado em: 2009
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9. O cravo na música de Câmera contemporânea brasileira / The harpsichord in Brasilian contemporany chamber music
Este trabalho discute a presença do cravo na música contemporânea brasileira, com enfoque em música de câmera. Após uma breve contextualização do cravo na música de câmera brasileira, o trabalho se desenvolve em cinco partes principais, a saber: parte 1 - apresenta um histórico do cravo desde suas origens, no monocórdio de Pitágoras, até os mod
Publicado em: 2009
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10. Em busca da alma musical da nação : um estudo comparativo entre os nacionalismos musicais brasileiro e espanhol a partir das trajetorias e das obras de Heitor Villa-Lobos e Manuel de Falla / In quest of the "musical soul of the nation" : a comparative study between brazilian and spanish musical nationalisms from the careers and works of Heitor Villa-Lobos and Manuel de Falla
This work comprises a study of musical nationalism from a comparative perspective founded in the careers and works of two icons of 20th-century music, Heitor Villa-Lobos and Manuel de Falla, who are considered the greatest exponents of musical nationalism in their countries. First, it considers how "continuities" of nationalism, as identified by scholars, ha
Publicado em: 2009
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11. Concerto n. 1 para Violino e Orquestra de M. Camargo Guarnieri: Aspectos Históricos, Estéticos e Temático-Motívicos.
The purpose of this research was to study the Concerto no. 1 for Violin and Orchestra by Camargo Guarnieri. One of its main goals was the search for elements of the Brazilian musical nationalism present in this work. Thus, in order to achieve this first goal, an analysis was done based on the Ensaio sobre a música brasileira by Mário de Andrade. Where the
Publicado em: 2009
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12. Frevo para piano de Egberto Gismonti: uma análise de procedimentos populares e eruditos na composição e performance
This work is a study about the recognition of classical and popular elements in Gismontis performance of his work Frevo for solo piano. It is a descriptive analysis, based on musical characteristics of the genre frevo and on composicional comparisons with classical composers. It has been used as primary sources: a) the recording of Frevo, performed by the au
Publicado em: 2009