THE STAGE AS SPACE OF AN IDEAL: THE NOTION OF TRAGEDY IN FRIEDRICH SCHILLER S WORK / O PALCO COMO ESPAÇO DE UM IDEAL: O CONCEITO DE TRAGÉDIA NA OBRA DE FRIEDRICH SCHILLER
AUTOR(ES)
JULIANA MAIA VIEIRA
DATA DE PUBLICAÇÃO
2007
RESUMO
Johann Christoph Friedrich von Schiller s conceptions of the beautiful and the sublime - unquestionably influenced by Kantian Aesthetics - have conducted Philosophy to a possibility of aesthetic formation/education of individuals. This possibility has endowed them to attain complete autonomy in regards to their exercise of freedom and free will. It is within this context that Schiller, determined to represent this newfound notion of human autonomy in art, fosters his notion of modern tragedy. It is the purpose of this dissertation to study and scrutinize Schiller s groundings and intent to transform the notion of tragedy. The present investigation shall attempt to answer such questions as till what point is Schillerean tragedy indeed able to define the concept of -the tragic-, and render individuals free?
ASSUNTO(S)
literature aesthetic literatura aesthetic education tragedy tragedia educacao estetica estetica
ACESSO AO ARTIGO
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