The identity of the artist of circus / A identidade saltimbanco

AUTOR(ES)

Wellington Sacchi

DATA DE PUBLICAÇÃO

2009

RESUMO

This research had as a central objective to set closer of the content of circus artist identity to be able to establish reflections about circus artist identity. In front of several possibilities that began in the search of this complex that is the identity, it was establish initial scenery where could be extract specific data that led to analysis with reach and sufficient content. For that was chosen the circus as an object of studies as a result the group of artists that belong to the circus are the source of data. The proposal to achieve this collection inside the survey was defined to the point of the possibility of representation of this group cited to a large extent through photography pictures, produced in circus that were selected randomly. As a result of the previous intention was structured a field work, in two distinct circus, firstly the circus "Mundo Magico", secondly the "Stankowich" circus, both with characteristics of family circus, that are the most common found in Brazil. Initiated in the year 2005 and finalized in the year 2008 was produced the photography images besides other data collection such as, interviews, filming, field journal, opinion research, also necessary for the study. It was developed with hundred of photography images taken, a system of photography plates, that are a grouping of some images in a kind of paper sheet for posterior analysis. Among third three photography plates set up occurs the phase of analysis of many issues that get to close of the identity of the circus artist, always with a reference from these photography images. In this way the photography images produce the main content of analytical results for the recognition of the diverse anthropology aspects of the group of artist researched. In front of all these recognitions gets into the possible faces of the identity of the circus artist, that goes through their physical bodies, per their nomad way of being, until the circus ring

ASSUNTO(S)

circus photography visual anthropology fotografia identity circo identidade antropologia visual

Documentos Relacionados

• Docência Universitária em Arte:(auto)retratos da identidade do docente-artista
• The contemporary poet s identity in the light of the syntagma identity-metamorphosis-emancipation
• The expressive identity of the actor
• AGENTES COMUNITÁRIOS DE HABITAÇÃO: IDENTIDADE LEGITIMADORA OU IDENTIDADE DE PROJETO?
• Pessoal do CearÃ: A identidade de um percurso e o percurso de uma identidade