Smoked Love: estudos sobre performance e dramaturgia do ator contemporâneo

AUTOR(ES)
DATA DE PUBLICAÇÃO

2010

RESUMO

This present research elaborates a reflection on contemporary actors dramaturgy and performance, contextualizing the current treatrical production in the assumptions of the postdramatic theatre, - conceptualized by Hans-Thies Lehmann -, and taking as a pratical experiment the play Smoked Love. It examines the key changes from the dramatic theatre to the postdramatic theatre, taking into consideration some changes offered by the postmodernity in the society and arts. In this context, they are still listed some principles of contemporary acting perceived in the investigative process of this study. Smoked Love presents a love triangle irresolute, liquified, and virtualized in their relations, reviewed here principally from studies of the philosopher and sociologist Zygmunt Bauman, and others researchers in the field of communication. The process of creating the experiment Smoked Love, which allowed the reflection dialetic between theory and pratice, in this study, is also recorded and analyzed, focusing on the performance of the soloist and her relations with various media presents in the spectacle

ASSUNTO(S)

performance teatro pós-dramático pós-modernidade smoked love performance actors dramaturgy postdramatic theatre postmodernity smoked love dramaturgia do ator teatro

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