Ruidos, rumores e vozes da linguagem em Freud e Proust / Noises, rumors and voices of the language in Freud and Proust
AUTOR(ES)
Natacha Muriel Lopez-Gallucci
DATA DE PUBLICAÇÃO
2008
RESUMO
The present research analyses the concept of divided subject, memory and language in La prisonnière (1923), a posthumous novel by Marcel Proust (the fifth volume of the À larecherche du temps perdu series). The study is carried out in the light of the theory ofmemory and language by Sigmund Freud in one of his earliest papers On Aphasia (Zur Auffassung des Aphasien (1891)). In our study, fiction and theory appear side by side. The argument derived from the present investigation is that La prisonnière opposes Prousts aesthetic doctrine explicit in the last volume of Recherche thus raising a new issue regarding the knowledge of the subject. Shifting from the optical metaphor to the speculation of sonority, La prisonnière is concerned with language perception: of noises, songs, voice, and finally music, forming a language theory in fiction. Freuds study on aphasia provides a model for the initial apprehension of the subject-language-world relationship, in which, parting from the language flaws, the concepts of memory, representation and object are also relocated.
ASSUNTO(S)
philosophy language aphasia subject (philosophy) linguagem memoria memory afasia sujeito
ACESSO AO ARTIGO
http://libdigi.unicamp.br/document/?code=vtls000438170Documentos Relacionados
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