Orfeu emparedado: Hilda Hilst e a perversão dos gêneros / Orfeu emparedado: Hilda Hilst and perversion of the genres
AUTOR(ES)
Marcos Lemos Ferreira dos Santos
FONTE
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia
DATA DE PUBLICAÇÃO
14/03/2011
RESUMO
Taking into consideration a perspective that privileges the Theory of literary forms, this study aims at verifying the way it works, in the production of the Brazilian writer Hilda Hilst, the relations among lyrics, theater and narrative prose. The theoretical parameter is the works Theory of Modern Drama, by Peter Szondi, in which the German critic deals with the question of mixture of literary forms as an alternative to overcome objective questions related to the historical situation of a certain literary form. Concerning Hilda Hilst, we intend to analyse how the incursions of the author in theater and narrative prose appear as a problematic response to the reception of a lyrics initially guided by the poetic ideals of the Generation of 45. As we intend to demonstrate, the attempts on the part of the author in other discursive types will produce significant formal modifications in her work, by means of the contamination of structures of one gender to another.
ASSUNTO(S)
culture industry hilda hilst hilda hilst indústria cultural lírica moderna literary genres modern lyric peter szondi peter szondi teoria dos gêneros
