Ginga, Catarina manifestações do samba em Florianópolis na década de 1930

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

18/03/2011

RESUMO

This thesis seeks to identify the manifestations of the samba in Florianopolis, Santa Catarina, from leisure and entertainment available in this city in the 1930s, which is a period when the capital of Santa Catarina has not had effective access to radio and industry music, which, in turn, have established themselves in cities like Rio de Janeiro and Sao Paulo. Identifying these events, we can see the influences and characteristics in relation to urban musicality that is set in the Federal Capital, where the local folk music has found a place among the populations most economically advantaged and the same scenario that dominated the artistic and intellectual in the same period, it is also where the samba is no longer a ethnic, folk and marginalized manifestation but to become a class of goods and a means of spreading cultural policies guided by a nationalist discourse. This is an interesting topic to think about how this process culminated in the role and spaces delegates to the samba at the moment, among the musicians and communities of Santa Catarina samba, which promotes and maintains under the discourse of the traditions, making the object reflections relevant to the story of our time

ASSUNTO(S)

samba história de florianópolis história do tempo presente samba florianópolis (sc) florianópolis (sc) história historia samba history of florianópolis history of present time

ACESSO AO ARTIGO

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