Figuras infernais no teatro de Samuel Beckett / Hellish figures in Samuel Becketts theater

AUTOR(ES)

Cláudia Maria de Vasconcellos

DATA DE PUBLICAÇÃO

2009

RESUMO

The thesis analyses the first five plays written by Beckett Waiting for Godot, Endgame, Krapps Last Tape, Happy Days and Play aiming to identify their fundamental formal procedures, which we call here hellish figures. Inspired by Adorno, our study of form finds in the work of Beckett a reflection about the social configuration and the paradoxal state of the Arts during his time. The hellish figures circularity, confinement, paradox, inconclusiveness, interminttence, dissimulation and enforcement can be used as a critical tool to understand Becketts other plays and writings.

ASSUNTO(S)

coatividade figuras beckett escher beckett figures escher theater teatro

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