A sinfonia "Titã" de Gustav Mahler e o segundo grau de significação no discurso musical : um estudo de semantica e estetica da musica

AUTOR(ES)
DATA DE PUBLICAÇÃO

2003

RESUMO

Through the analysis of Gustav Mahler s Symphony n° 1, in D major ( Titan ) the present work aims at comprehending the musical art work as a complex universe of metaphorical meanings and interrelations with other sorts of artistic and cultural manifestations. By doing so, it proposes a discussion on the historical path of aesthetic thought on music and the assessment of to what extent both the old aesthetics of sentiment and German formalism converged in the birth of this masterpiece, composed at the threshold of Modern Art, between the first and second Viennese Schools. The research proposes the elaboration of a discourse on the mentioned work, taking into consideration the many sources of the score (as well as other Mahler pieces composed before and just after this symphony) and also lists the most relevant, and revelatory, critical and analytical texts written about it. The careful analyses of its movements attempt to reveal the set of expressive means and intentions of the composer, whether intrinsically musical or extra-musical (such as philosophical ideas, literary arguments, visual influences and biographical references)

ASSUNTO(S)

estetica semantica arte - historia musicologia

ACESSO AO ARTIGO

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