A interpretação com o objeto: reflexões sobre o trabalho do ator-animador
AUTOR(ES)
Caroline Maria Holanda Cavalcante
DATA DE PUBLICAÇÃO
2008
RESUMO
This study is based on the understanding that the puppet theater has undergone intense changes during the twentieth century. In this context, the technique is occupying an important space in the puppeteer practice. It results in a number of reflections and knowledge relevant to the work of the interpreter. The focus of this research is study principles specifics to interpretation by means of object. It consisted to organize these principles by reference to the ideas of authors specialist in this art. This route has been illustrated by spectacles. After readings and reflections, it was organized in three points: the first deals with relevant issues to the relationship between the puppeteer and the object, the second point raises thoughts about the neutrality and the third deals with matters relating to the movement in the animation of the object
ASSUNTO(S)
technical principles pedagogia do teatro puppeteer teatro de animação formação profissional professional training puppet theater ator-animador teatro princípios técnicos theater pedagogy
ACESSO AO ARTIGO
http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1386Documentos Relacionados
- Da perda do objeto: o encontro sobre o abismo
- O Pulo do Gato ou Reflexões sobre a Presença do Ator
- Recuperando o objeto: extrapolações volumétricas de found footage
- O sentido do trabalho - algumas reflexões sobre o trabalho e a crise do mundo do trabalho
- Do vazio ao objeto: das ding e a sublimação em Jacques Lacan