A fatura na obra de Fábio Miguez

Flávia de Lima Duzzo

The present research has as its study object the production process in the pictorial development. Through a phenomenological approach, we find instruments that assist us in thinking the process of production of painting. As a case study for our research we chose the work of the São Paulos artist Fábio Miguez in the period between 1983 and 2000. We consider that the work of this artist constitutes a suitable sampling to allow the investigation of questions of the production process, due to strength of his painting work. We intend, therefore, to perceive and analyze the elements that compose the pictorial language, going through questions as: the formal character of the work, the materials used, the aspects referring to the formativity and poetics, the perception, the subjectivity and intention of the artist, among others. The work of Fábio Miguez was the propeller to reflect on the production process. In Pareyson we find subsidies to think the formative process, where we learn that the work guides and is guided by its proper process of creation; the choice of the material and its unfoldings. With Merleau-Ponty it was possible to solidify reflections on time, something inherent to the pictorial activity, as much for the materiality of the painting as to the formalization of an idea. The perception of the work in its conception will be guided by Merleau-Ponty. In Heidegger we find support to think the character of thing of the work of art and the relation between this e its being-creator, the artist. We present a historical briefing of the creative process emphasizing characteristics and recurrences in its different phases with the intention of placing its work in the Brazilian contemporary art context. Besides the bibliographical the research was based on live and semi-structured

A fatura na obra de Fábio Miguez

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