Aesthetic Intuition
Mostrando 1-7 de 7 artigos, teses e dissertações.
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1. ENSAIO E INTERPRETAÇÃO DO BRASIL NO MODERNISMO VERDE-AMARELO (1926-1929)
Resumo Este artigo analisa publicações da vertente Verde-amarela/Anta do modernismo paulista, entre os anos de 1926 e 1929, no jornal diário Correio Paulistano. Discute a hipótese de que as proposições de Cassiano Ricardo, Menotti Del Picchia, Plínio Salgado e demais participantes do grupo, para o estudo do Brasil e dos brasileiros, devem ser analisad
Estud. hist. (Rio J.). Publicado em: 05/09/2019
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2. The language of ineffable: music and aesthetics utonomy in German romantism / A linguagem do inefável: música e autonomia estética no romantismo alemão
O presente trabalho tem como objetivo principal investigar o problema da autonomia estética da música instrumental no Romantismo alemão. Através do exame de textos filosóficos, literários e de crítica musical, procuramos investigar a seguinte questão: como foi possível que a arte musical que até o século XVIII era considerada como um objeto indign
Publicado em: 2009
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3. Kant e a musica na Critica da Faculdade do Juizo / Kant and the music in the Critique of Judgement
The aim of this dissertation is to examine Immanuel Kant s treatment of music in his Critique of Judgment. Beneath his apparent neglect for the subject one can find a dense philosophical reflection that decisively contributes to the always current discussion about music perception, understanding and categorization. The possibility of recognizing music as bei
Publicado em: 2009
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4. The imagination in the Critique of pure reason / A imaginação na Crítica da Razão Pura
According to the first edition (1781) of the Transcendental Deduction, the faculty of imagination is the fundamental faculty which binds, on the one hand, the intuition, and on the other hand, the understanding.This union can only be possible, however, if the imagination has not only a sensible character - for it is a faculty that belongs to the sensibility
Publicado em: 2009
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5. O JOGO do DIÁLOGO:: ALGUMAS INDAGAÇÕES SOBRE A RELAÇÃO ENTRE AUTOR, OBRA E ESPECTADOR
Starting from the contact with the works of Waltercio Caldas, and from the observation of their peculiar aesthetic shock, some questions about the relationship between spectator and artwork appeared. The conductor threads of these questionings are the interpretation and the perception of the artistic object. For this reason, the research had its beginning in
Publicado em: 2006
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6. A TOTALIDADE ENCANTADA: NATUREZA, CIÊNCIA E ARTE EM ALEXANDER VON HUMBOLDT / THE ENCHANTRESS NATURE: NATURE, SCIENCE AND ART IN ALEXANDER VON HUMBOLDT
This dissertation s aim objective was to verify the use of literary language on the scientific works Ansichten der Natur and kosmos written by Alexander von Humboldt (1769-1859). The hypothesis emphasized the importance of the aesthetic treatment on the language, resulting in a certain scientific notion and pragmatic. Considering the everlasting preoccupatio
Publicado em: 2002
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7. A melancolia romantica em Freud e Nerval
The objective of this research is to understand the subjective process of melancholy, giving as reference the literary work Aurelia, from Gérard de Nerval. The narrator describes his intense and unrequited passion for the poetic muse, who gives title to the work, in the context of nineteenth century romanticism. Through his ?journey to the Spirit world? he
Publicado em: 2001